- offmyeasel
- Galleries
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Chronology
- 2022 >
-
2021
>
- Joy
- Red Carpet 1.0
- Poppy Garden
- Reflection; refraction; distortion
- to the finish post
- Lady Glaze
- Grimsby haunted
- the autoshow
- In the shade
- Black Skates
- Swimming Lesson
- Thunderstorm over Lake Erie
- The Drive: Return from cottage country
- Summer Concession
- Morning Dew
- The Drought
- The Cricketer
- Beach Stairs
- Blue Western Skies
- Paris Inn
- Still life studies
- Summer sunshine with teal
- Museum musings
- The Goalie
- Roadside Bouquet
- The Hockey Game
- The Bout
- January Lake Surf
- Snooker
- Fragile
- Postcard from the edge
- Winter Surf
- Clothesline
- Window with Wall
- The Walk
- The climb
- Colour Commentary
- Hockey Season
-
2020
>
- Open
- Winter Surf
- Beachfront
- After Sergio
- South Coast Cookhouse
- Side Street
- Lintel with green
- Garage Breaktime
- Autumn Grazing 3.1
- Trick or Treat
- Thanksgiving embers
- Koi dance
- Bird of Paradise
- Agricultural forms
- Visual Interlude
- Back Alley Bins
- Night Heron 1.11
- Grasshopper
- Sunflowers
- SAILING
- Sunflower 8s
- Heron
- Diving
- Graffiti Alley
- Summer Breezin'
- Sunflower 7.4a
- Mabel's Pizza
- Grand Vista 3.0
- Beachcomber 2.5
- Brown Door
- Lock Footbridge
- Night Flower 3.7
- Unfurling in green
- Fungi on wood
- Abandonned Truck Cab : Natures Abstracts
- Social Distancing
- South western patinas
- Covid 19 coffee break
- Murs en blanc
- abandonned tires and passages
- O'Hara Mill Homestead
- Red barn paddock
- Dundas Brewhouse
- Balzac's
- Passageways
- Melodies in blue
- Snowfall 022020
- Mallard 4.9
- Windowdressing
- London market grill
- Winter Landscapes
- Curiosity
- Winter refuge
-
2019
>
- Flutterby
- Sunday morning coffee
- in the doorway
- at the edge
- Chinese Herbs
- Double Entendre
- First snows
- Gage Park Diner
- Remebrance day 2019
- Apple Harvest
- Descente a la plage
- Farmers Market in orange
- The superior aesthetics of loitering
- Salmon run 2019
- Morgan 44 -8.2
- Summers End
- Migration
- ART vs TECH as GAN
- Order on line
- Venetian Meats
- Summer Harvesting
- Honda Indy Toronto 2019
- Morning Irises
- Hillside in sunlight
- Feathers in grey
- SPIRO
- Aviary 346
-
2018
>
- Sand Graffiti
- October Evening Harvest
- Grand River
- The game
- The fortement
- July celebrations
- Buoyancy in blues
- The decision
- Magical Blue Skies in red
- Vatican Fuschia
- RBG : In the river valley
- Bullrushes
- Spur Line
- Abstract 4
- Rural Landscape
- Sunflower #12
- Magical Blues
- Red Balloon
- Lines
- Water: B & W
- Horizon Slip
- Gravity Vortex
- Gears
- Retail narrative forms
- Thompsonian snowbirds
-
2017
>
- Digital Dysfunction
- Autumn Boreal Forest
- Suspended bridge
- Autumn PeeGate
- Food colour systems
- Waupoos harvest, fond fonce
- Waupoos harvest, ground in white
- Stringed instrument origins
- Caterpillar yoga
- South Garden Tinkerbells
- Side yard garden shed
- If light dissipates
- Confessional
- Oasis
- Winter Flight
- Time Drift 17
- Paleo Tattos
- Signal and Noise
- Colour Juxtapositoins
- RBG: Studies of grounds in green and blue.
-
2016
>
- Winter Light
- Silent Vigil
- Memory as Patina
- The Apiarists
- Reading
- Bohemian Waxwing
- Predawn Garden
- the gatherings
- Berger
- Migratory feeding
- Tulip 2016
- Bird furniture
- The bee keepers
- The Beekeepers 168
- Urban Waterfront Series
- Winter Perch
- Marsh Spring
- Found in Translations
- Disentangling the tangled garden
- Education lights a fire
- Jeremiah
- Teal Pond
- Julian Barnes
- Archimedes dreaming
- Bovine
-
2015
>
- Breakaway
- Rabble of ravens 1
- Vortex of difference
- Reading the trail
- The bench #2
- The journey begins
- On frozen pond : (post season)
- Colorflage strategies
- Form by any other color
- Redux A
- Overhead Perch
- Fuschia
- Study in white 2
- Rex head
- Mechanosaurus
- Sideyard skull
- Art begets
- Backyard Daffodil Still Life
- Propensity of meaning
- Pre "I-Drive" Era
- Annie's Sister - redux 1
- Listening to images.
- Figure Skate
-
2014
>
- Pre GoogleDriver -Release History
- IBM portrait studies #5
- this notion
- Emerald Grotto
- Ancient Byways
- Autumn Cabbage
- Off Stockdale Road, ...
- At the field edge
- Under the rose petals
- Composition in Fasteners
- Periods of transition
- Black Sunglasses
- Lake Ontario - March
- Lead positioning
- Hope
- Mobiusesque push
- Immediacy & nostalgia
- Musical interlude
- The lost prologues
- Triple salchow
-
2013
>
- Dreams
- This kiss
- juxtaposition in grey and white
- Feathers and woolen fields
- Red Figure
- Shaman
- Shaman #2
- The pilot school
- Art ,beauty, theory and priorities.
- Blue collar
- The shaman's light
- SIlent mooring
- Catnap
- Purple Jacket
- Golden ground
- County cornfield in spring
- Horizon-scapes
- Painting only begins with vision
- The advent of jewelry
- The raku apprentice
- Shadow cinema
- Spring Horizons
- Patina & Portaiture
- Winters last waltz?
- Return Migration
- Christmas Snowfall
- Release
- Pursuit and reading meaning.
-
2012
>
- Considerations on augmented paintings
- West of Amherst Island
- December Cadmium Orange
- Young turkey
- Parks Studio Road Crossing
- Beside the orchard
- Heirlooms and contemporary
- Art shrink wrapped
- Poppy 11.11
- The nephews funeral 3
- Attending to what is
- Upon a bed of gravel
- Among the hydro lines
- Interest in the interested
- Homo Collectus
- Brightons Mute Swans
- Triangulation & pointing
- Commonalities & distinctions
- The paintings never finished
- Derivatives and reflections
- The stone Herald
- Faces
- Eyeshadow in gold
- The boat (Belize)
- Saint Patricks
- Side studio door
- 2011 >
- 2010 >
- 2009
- Audio >
- Notes
- Interview
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Homo Collectus
In meandering among and along the hills and their back routes, I've strayed across many a country auction, tractors, row upon row, engines chugging in rhythm to their proper orchestration, literally hundreds of participants there, all, seeking The piece to add to their stable of items.
So many of us collect. Whether it be Air force paraphernalia of a certain era, or farm equipment of disparate pedigree, or Bonsai or family recipes . We as a species seem to persistently collect collections. Possibly our knowledge is just another collection, gathered up for winnowing and eventually for dispersal near the end of our years |
. Regardless of our passion, we all seem to collect something or other. Creating in the process an ensemble that speaks of the relationships within the collection rather then of any particular piece there within. It might even be argued, that my paintings are simply just another expression of my own passion of collectables. Maybe they are just another collection of things, some sort of grouping of moments that express the disparate ways we know of the world. More important the relationships between those ways, rather then any one particular paradigm held within. |
Are we simply gatherers? Are our galleries and museums just another expression of our agricultural harvesting blended with our hunters stalking of the next prey? Are we and our civilizations really as sophisticated as we all hope to be? Or might we simply be gathering the seeds we'll soon disperse to the four winds among the hills, along the byways and tall grasses. Which seeds we sow less important that we gather and then disperse the collections so they grow again for some other to harvest all over again? (Maybe like some sort of convoluted bee plant fertilization process - we collect the nectar but spread the germination of that which we collect) |
Are our art collections more about the art, or our collecting? Is the commonality of themes in any body of art work, more significant then the isolated pieces? |
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